FRONT PAGE / POSTS
by Emma Shevah| London, UK
Sunday, 22 June 2014
tags: culture, europe, making sense, network, socioeconomics
Where are you and what are you doing?
I live in London and I’m writing my next novel but I also teach and collaborate on other projects.
How would you describe the relationship between your creative writing and your interest in the broad area of cultural and semiotic analysis?
Writing is a way of examining the human experience, along with our thoughts, analyses and reactions to the world, and putting it all in a form that can be transmitted to and shared by other minds over time and space. That makes it a philosophical, historical, psychological, cross-cultural, cross-time endeavour. Through literature, we see a singular yet diverse thread of humanity.
I’m a thinker, a traveller and a philosopher and those features colour my writing: I longed to travel even when I was a very young girl and as soon as I could, I went off with no plans to return. I travelled for many years, lived in other countries and cultures, and still work with students from all over the world. Just looking at a world map can bring tears to my eyes because I’m fascinated by this planet, the variety of life, the landscapes and the languages. I love moving across lands seeing how people live, and observing and discovering what their experience of life is. Although our lives are personalised by culture, history and circumstance, they’re replete with associations, interconnections and responses both profound and subtle. Those perceptions colour my writing but also mean that cultural and semiotic analysis is a natural place for a mind like mine.
Tell us about Dream On, Amber – how that project came about, your experience of writing and publishing the book, the kind of feedback you have received.
I grew up not knowing my Thai father and although I read hungrily when I was a child, no books I knew of had characters going through the same things I was going through. I wanted to remedy that. Amber Miyamoto is also half this and half that and is growing up with a space where her father should be and I felt it was an important to express the feelings that arose from that experience. It took about eight months to write but I went slowly and dipped in and out of it in my spare time. I met a publisher by chance at a SCBWI event my friend took me to just after I finished writing it. We had a brief chat and he told me to email him with some sample chapters. I did and he liked them and asked to see the whole thing. A few months later, he sent an email saying ‘We really want to publish your book!’ The publishing and editorial process has been a huge learning curve. I’ve had very positive feedback: the rights have been sold in five countries so far and reviews have been great.
What’s next in terms of writing and publication?
I’m writing a stand-alone novel for the same age range (8 -12) that’s due to be published in 2015 by the same publisher, Chicken House. The main premise of Dream on, Amber is fatherlessness and my next book has an equally important premise. I can’t reveal what it’s about yet but I’d be happy to talk about it once it’s published. Amber is half-Italian and half-Japanese, and this next character is also Asian and living in the West. Those cultural differences are interesting to me. And Western children don’t know much about the Far East or its people, so that’s something I’d like to expose them to.
What’s the most important unanswered question that comes to mind for you?
How can humans do such inhumane things to one another? We treat people as ‘other’ and not as versions of ourselves walking around in different casing, making the best of a given set of circumstances. Our lack of empathy for other life – people, animals, the planet – is baffling. It’s the root of racism, sexism, elitism, self-centredness, abuse, war, murder, rape. It’s the central to all the awful things that go on in the world. It’s why Angelina Jolie met last week with William Hague, and it opens the gates to so many other questions: is there a God? Why do bad things happen to good people? Why are we given a luminous mind and a strong moral compass but can’t control our animal drives and the ability to be brutal? Man’s inhumanity to man is the thing I get most despondent, angry and exasperated with.
Tell us about the image you have chosen to illustrate this piece.
I’ve chosen the cover of my book, Dream on, Amber, as Amber is tiny and scared of everything but believes there’s a fearless warrior in her trying desperately to get out to help her stand up for what she believes in. The illustration shows a girl kicking high and hard, and that’s a message in itself. Overcoming ourselves is half the battle.
Where does your interest in applied cultural and semiotic analysis stem from and where are you planning to go with it?
I think I’ve answered the first part of this question above – it feels a natural home as I have a particular kind of mind and skill set. I would like, ideally, to study, observe, travel and write for the rest of my days, and to make my observations and insights useful and have meaning. This will partly be through writing books but I hope I can also use it in the commercial world to help bridge understanding and shed light on influences and behaviour. I’m an ideas person and writing books is a long, solitary business. I need to use my skills in more social and immediate ways too.
© Emma Shevah 2014