FRONT PAGE / POSTS
by Kristian Bankov| Sofia, Bulgaria
Friday, 30 September 2011
tags: clients & brands, consumer culture, culture, europe, experts & agencies, network, semiotics
Where are you and what are you doing?
I am in Sofia, Bulgaria, I am teaching semiotics and hundreds of derivative matters at the New Bulgarian University.
Tell us about your course at the New Bulgarian University?
I am doing dozens of courses, the residual ones are on semiotics and philosophy of language, the dominant ones on semiotics of brands and marketing communication and the emergent ones… again on brand communication, but trying to introduce the ‘experience economy’ perspective.
How did you first get interested in semiotics? And the relationship between semiotics and brand communication?
Around 1990 I was at Bologna University studying Film and Drama. After my Thursday lecture on Aesthetics there were always crowds of students coming to listen to the next lecture, given by a with a beard and glasses. After some time I asked a colleague of mine:
– Who is this guy?
– How ‘who’? This is Umberto Eco!
– Who the f…k is Umberto Eco?
Then, you know, the ‘immigrant’ had to show that he wasn't stupider than the natives…From that semiotics and brand communication was a natural development. I started to teach at the New Bulgarian University 2 weeks after I graduated from Bologna. The label ‘the pupil of Eco’ was applied to me and this brand extension made it easy for me to get opportunities on various study programmes. I have started many courses, but only one has survived into the next decade – Semiotics of Marketing and Advertising. Actually before 1989 in Bulgaria there were no such things as marketing or advertising and New Bulgarian University was founded in 1991 (18th September, btw, Happy 20th Birth day NBU!) exactly to provide academic coverage to similar lacks in the social sphere, the arts and applied science. I was witnessing during these years how consumer culture emerged almost from nothing and brands were the major operators in the process. Brand communication was simply the most interesting subject of semiotic inquiry during this period and gradually I oriented almost all my interests there. My department started a masters program in Advertising and Lifestyles in 2007.
Your Sozopol summer school is one of the great events of the social calendar for academic semiotics. Can you tell us something about that?
You got it right, the ‘social calendar! We have organised this event since 1995 and it took a lot of time to realise that academics are quite boring if they are at the centre. Creating the right social atmosphere, using as a driving force the students creativity and their drive for self-expression is the key to success for both the academic and the social part. The other key factor is international participation, which creates unique conditions and qualities, unachievable within a single university group. Last but not least, we invite semiotic professionals from the business, who are another source of energy for the discipline and add value to the ‘gross semiotic product’ of the event.
Tell us about the image you have chosen to illustrate this interview?
My favorite semiotic brand! Of proved equity by demonstration!
What are your main ambitions professionally for the next two or three years?
To train my assistants to do all the jobs I am doing now! But this is impossible, so I shall focus on more realistic goals. Creating an international PhD program in semiotics would be great. Not the usual academic research PhD, but placing the doctorants in companies and organizations outside the university, making their research projects practical and useful for those organizations and even involving people from there in the evaluation committee for the defence. Thus we can start to export into society high level semiotic professionals, universal communication wizards…Also establishing a semiotic laboratory in our university (well, this is done), but developing unique brand research products and going in the Bulgarian market research market with them.
© Kristian Bankov 2011