Semionaut, Signifying Everything

Beauty Calls

 

“Vicky knows that she has only three seconds to make a good impression”. This is what one of the Head & Shoulders ads says and stunning brunette Vicky shakes her hair in front of the young handsome guy’s face. The voiceover continues to persuade us that her hair is beautiful and healthy.

The perception of beauty is like a religious sense – everybody has it inside but few could define it straight away. It embraces philosophical notions and varies from culture to culture. One thing that seems stable is that beauty is perceived to provide pleasure – but it is not taken for granted that it is something ‘good’. In this regard, the most significant thing is that advertisers and mass media constantly compete to display and represent beauty in better ways. They use art, top models, different inspirational metaphors, slow motion effects, show some elements of nature etc. in order to impose themselves on our perception of ‘beauty’ or (if we can signal and elevation of individual physical manifestations to a higher level of abstraction) of ‘beauty-ness’.

This topic becomes increasingly dramatic when the ‘beauty’ is turned into a focus for social and even political discussion. Last year a renowned Bulgarian plastic surgeon met wry face of the local authorities demonstrating social consequences of his work. He had started a billboard campaign in spring – it was not his first but it was in a different style to previous ones – including a number of different images displayed in the city center of Sofia and other big towns in the country. The images portrayed various good-looking girls drawn in American 1950s style, looking much like Coca-Cola imagery, for example, from that time. The connotative meaning seemed to be deliberately chosen because in the epoch in question American women were mostly housewives whereas Bulgarian women worked on equal terms with their husbands to build together a future Socialist Eden. But the more curious thing was the headlines accompanying the beauties on the billboard, such as “I’m in love with myself” and “I’m too beautiful to get a job”.  All of them had  the same tagline – “Thank you, doctor Enchev!”.

At the beginning of June 2011 the ethical board of National Council of Advertising Regulation denounced the whole campaign as ‘uneducative’, ‘offensive’ and an act of ‘discrimination’. Naturally, quite a few bloggers and concerned citizens directed some peppery remarks toward the doctor’s message, and even named the pictured women as the ‘jobless ones’. As a result the authorities pasted yellow patches on the second half of the poster headlines with a black ‘censored’ sign on it. This was the first example of overtly banned advertising in Bulgaria for many years – except for the usual issues around tobacco and alcohol ads placed near by schools, or TV spots screened at inappropriate times of  day.

The story did not end here. The free market had its say as the surgeon had paid in advance for several month of billboard exposure and the images stayed around until October. Thus the censorship sign served only to enhance the impact of the advertising and attract the attention of passers-by. There were some who even thought that the ban was an ad agency’s trick and pointed to the billboards as a clever promotional plan.

So, the social perception of ‘beauty’ turned out to be a tricky matter.  Obviously everyone rejected the idea that there was no link between work and looking, maybe because even models sell their appearance as ‘labour’ in a sense. The campaign, in fact, was justified by the doctor as “jest”.  But eventually the jest doubled up its effect. The sluggish efforts of the authorities at censorship only increased the buzz around the ads. There were several articles in the media dedicated to the case and widely publicizing the phrases hidden bybthe censorship stickers. As to the ban itself, it attached different kind of connotation to the main message and in extremely high degree brought the much-hated times of socialistic censorship back to consumers’ mind instead of, as intended, protecting his and especially her best interests. 

© Dimitar Trendafilov 2012