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Hello from the Other Side

by Subodh Deshpande| Singapore,
Wednesday, 6 January 2016
tags: asia, culture, fuzzy sets, lateral navigation, making sense, technology
Editor’s note: Adele lives down the road from Semionaut’s secret undersea base near Brighton UK and, for us Brits, she mythically resolves the contradiction between your mate and a stellar talent greater than any who came before her (also author and immaculate vocal interpreter of the best Bond song ever, by some significant distance). Taylor Swift, eat your heart out. And so on – pick whoever you like. They won’t come close. So it’s refreshing to receive a brave and insightful contribution from the other side of the world, one which has the courage to have a shot at decoding the ‘meaning’ of Adele. For which, many thanks Subodh – our new contributor. Connotations of “the other side” in colloquial English: beyond the grave (look at Adele’s face on the cover of 25, not wanting to start any Abbey Road-type rumours or anything); the opposition, the enemy; across the water (for Brits the Americans on ‘the other side of the pond’); the Other of the primal I-Thou pairing, a founding source of identity – all subjectivity having been intersubjectivity long before neuroscience discovered the mirror neurons; the other side of the end of a relationship, one which thought it would last for ever. We publish this as a conversation opener. Please come back to us. Anyone. Everyone. It’s good to start with a decoding voice from a culture where a man can still use the word ‘frumpy’ without having to resort (as would be necessary for the word to be sayable in the West) to camp archness or ostentatious half-ironic bitchiness – and to do so without pre-emptive fear of gender armageddon from the other side, from those who once made the mistake of caring too much. The house lights dim. Hello, it’s me. Who is speaking?
Hello from the Other Side: the Meaning in Adele’s Music
Adele’s 25 has become the year’s biggest-selling album in the US, with a record 3.38m copies sold in its first full week of release. She cuts a distinctive figure amidst the female pop stars of today with her unique brand of music. Her heart-broken ballads are heard everywhere from taxi radios to cafes to salons and airport lounges. What makes her unique brand of music so popular?
Adele has often been quoted saying that she strives for a certain effect in her songs, its ability to move her. This tear-inducing quality is the key ingredient of Adele’s music. Adele’s lyrics have a strong universal character. She appears to be narrating our story. She has this operatic ability to convey the tragedy of modern relationships; that makes our hearts ache with reminiscence. Listening to Adele becomes a cathartic act. She creates a new genre of music; she is a ‘Cathartist’.
Adele embodies this tragic figure. She comes across as a smiling survivor; bravely carrying on with her life. Her generous figure, ordinarily dressed (sometimes bordering on the frumpy), is very unlike the sleek, glamorous, airbrushed stars. She appears very much the ‘hapless girl’; the one who gets dumped; half expecting the love of her life to turn back.
There is perhaps another function to Adele’s songs. The technology of today erases time and distance and we experiences lives where everything is within immediate reach. Adele’s music negates this and creates a sense of distance and loss. Her music is like a reverse telescope. It manufactures distance: people appear further than they really are. In a world where we are constantly connected, her songs suggest the pain of separation. Today when lives are lived out on Facebook, it is hard to lose touch with people even if you un-friend them, and one often ‘bumps’ inadvertently into ones exes in the digital world. Adele creates a tunnel of nostalgia and wistfulness for us to dive into. Ensconced in her music; our loss appears considerable and significant, as it ought to.
Just as the telephone was this heavy contraption that made our relationships precious by making our loved ones barely audible and out of touch, (The sheer ease of smart phones compresses our world; people appear close at all times) Adele’s songs make us feel a palpable sense of loss in a world where technology with its pervasiveness and immediacy conspires to dilute it. Adele makes us believe that it is in fact a dense wall that separates us from those we once loved and once in a while we can peer across and say hello from the other side.
© Subodh Deshpande 2015